Which is kind of like my M.O. There’s some bits and pieces on top of it that I played, which was funny because I hadn’t played along to a recording of that song since InnerSpeaker, which was like 2010. I never have. So I always wanted to make music with other people. I got the awesome opportunity to talk to our boy Cam all about his new EP! But 'Glimmer' was just something I was messing around with in the studio one day. Distorted guitars and hip-hop sometimes go well, like Kanye and Mike Dean, and they can also be a disaster. PARKER: No, no. Hence, the mellow vibe. It’s everything. Last December, Parker released 'Posthumous Forgiveness' as an album single proper, but before that there'd been a nearly seven-month gap when fans had heard nothing new. There was four of us, really, ’cause it was BloodPop. And maybe the music wouldn't suffer and maybe it would just be better because I wouldn't be – I have all kinds of thoughts like that, with this album at least. Tame Impala ‘s Kevin Parker thinks Cardi B and Megan Thee Stallion ’s hit track ‘WAP’ is a “perfect song”. But I know in my heart that the music would suffer. And in that way it's always a letdown but that's part of it. Do you actually feel this way, or is this just the post-album emotional hangover? At the time of our call, he’s been more or less in his element, spending his days alone in the studio working on recording projects he’s not at liberty to discuss. But it won't stop me trying. "Months later I listened back to it and I was like, ah, kind of sounds like Seventies rock. What was your contribution? PARKER: I don’t know, man. It makes me dream, you know? He is a perfectionist, verging on control freak, who thinks his best music is born in moments of unbidden inspiration. For me, the music I imagine making is for people listening to by themselves. 86.0k members in the TameImpala community. There was no working on any music at low volume. "When I was 14, playing in a rock band in high school, I was more excited by the fact that I was hanging out with my friends than I was about being creative. And then, around the time that Currents was going platinum and being nominated for Grammys and winning ARIAs (the Australian equivalent), Parker slowly began to disabuse people of an assumption that he'd spent years cultivating. And I guess it proved to myself that I care that much about my albums, because of how much I wanted to have an album finished by then. Did you see that clip? I knew I had to do it that way. Exactly. 'Let's sit down and let's write those chords that you have to write to finish this song.' So he was probably stoked to be there with Kevin Parker. I can’t work on music at low volumes — it’s like, why am I doing this? I was trying to make it sound less like a rock band. "It took over almost instantly from me playing with Lego. I haven't written a single chord progression in the company of another person that made it in the actual song. So I think it was only ever going to be really homegrown with Mark producing it. I was there with the rest of the A$AP gang. Something we both care about deeply is making relevant music. And it makes all the difference. It's different every time. I didn't go out to dinner. What songs are closest to how you first imagined them? Like when A$AP Rocky got in touch the first time, I didn’t know who he was. So if I were the Strokes I might go, “Hey.” But the reason it sounded like me is because it’s the art form, making a knockoff of the song and making it sound as much like the song you’re trying to knock off as you can without it being a copyright infringement. “Honestly for me, it’s kind of business as usual because my studio is like two blocks from my house,” he says. Silence. It's a song for the sake of the song right, you know? STEREOGUM: Did you ever talk to her or meet her or discuss the track at all? I gave a shit. PARKER: I think he got him to play on a couple of his songs, and Travis just wanted him to be there. Kevin Parker probably isn't Jesus. It’s this dance between making a rhythm — it’s hard to explain. We’ve Got A File On You features interviews in which artists share the stories behind the extracurricular activities that dot their careers: acting gigs, guest appearances, random internet ephemera, etc. Being afraid of people judging me, which everyone has, but I had it particularly hard. STEREOGUM: Have any other covers of your work stood out to you as particularly interesting or changed your perspective on your own song? We love drum sounds. PARKER: It was great. For me it’s everything in a song. He is a festival-headlining pop artist who makes dense psychedelic rock music. Because there’s zero second guessing. Which is obviously never true. 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