It is ideal for taming harsh sounds such as trumpets and strings in a refined and flattering way. The R92 – like its forefathers carrying the same engine, the R84 and R88 – is unequaled in its price range. “I’ve been using the R88 lately as a room mic out in front of the drums. SE Electronics RNR1: Similar to the AEA R92, this was a capable sound but probably not the right one here, as it seemed to smooth over some of the character in Adam's vocals. Most vintage ribbon microphones are spectrally balanced for medium and distant placements, principally because their inherently large proximity effect precludes close miking. The back side is darker and smoother. With its near-field design, balanced low-end, and pronounced mid-range, the R92 effectively captures the essence of a vocal performance while limiting room reflections. The AEA R92 was designed with reduced proxmity effect, enabling it to be used … Watch the R92 in action as Mike Cottone serenades with his smooth trumpeting. I've fallen in love with it! I have found the R92 to yield good results on acoustic guitar too. This shock mount is attached to an integrated 360-degree swivel mount that enables easy setup and positioning in tight spaces. AEA’s own recording series featuring our favorite artists. With its dual sonic character, the R92 offers limitless creative options for capturing a signature sound. I did find the R92 to be a good choice for vocals on a recent pop/rock project where the R92 was used interchangeably with a SM7 and U87 for vocals … The ribbon of the R92 is well-protected from high volumes, though we recommend using a pop screen to diffuse vocal plosives. Of course, near-field mics can be positioned at a distance, but they have a more balanced sound close to the sound source. It retains a balanced frequency response across the spectrum with limited proximity effect. The near-field functionality of the R92 imparts AEA’s classic Big Ribbon sound in close-range recording applications. The optimal response range of the near-field R92 is between 1 and 18 inches from the source, and its proximity effect impacts sources within 6 inches. Since the R92 is a dual passive ribbon microphone, the preamp is critical for optimum performance. The AEA R84 is sort of a lightweight R44, with the same long-geometry ribbon but a different magnet structure. The front side offers a crisp sonic signature — tailored to have a bright sound. Unlike traditional ribbon mics, think of the R92s placement in terms of inches instead of feet. It handled all of them effortlessly with the perfect amount of clarity and enjoyable qualities. The near-field R92 can be positioned near the vocalist, much like a standard condenser, and still deliver incredibly balanced sound. On quiet sound sources or for distance recording, an AEA preamp is highly recommended. This mic gets frequent use at the Disney Character Voices studio. The new R92 employs AEA's Large Ribbon Geometry design, like the R84, but this new model has been optimised specifically for close-miking applications. Similar in sound to the AEA R84, but with a more pronounced midrange and minimized proximity effect, the R92 performs brilliantly when up close to brass, guitar amps, kick drum, and percussion. Audio Samples and Techniques Using the AEA R92 The R92 is ideally equipped to capture the detail and tonality in any range of vocals. The bass reproduction of the mic extends to the lowest audible bass frequencies. This tendency and its tailored frequency response make the R92 a hands-down winner at close quarters. The R92 was designed to be positioned between 1 and 18 inches from the sound source. You don't need to be afraid to get this mic in a singer's face or right up on a speaker. I really like that a lot, it sounds really cool…”, “There are very few pieces of equipment that can handle the amount of tasks I put the KU5A up against. Rich low-end, warm detailed mid-range and a smooth top-end, Different tonality on front and back sides, giving users a sonic choice. However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. In a traditional ribbon mic, the proximity effect can be so strong that it obscures the mid-range, which can be extremely difficult to correct. Offering a classic ribbon character in the form of a near-field, the dual-tone R92 functions as a versatile creative tool with innumerable possibilities. of your R92. With its near-field design, balanced low-end, and pronounced mid-range, the R92 effectively captures the essence of a vocal performance while limiting room reflections. So I came across Front End Audio ... Front end had 6 sound clips for each mic of acoustic guitar, clean electric, distorted electric, female vocals, male vocals, and hip hop male vocals. The AEA logo on the front of your R92 points directly towards the ‘principal axis’ indicated in the diagram. The R92 not only handles the SPL levels of a high-gain amplifier and loud trombone with ease, but it also translates all the gritty details of an instrument that musicians seek. AEA R84 vs. R92 blind shootout inside! ©2020 AEA Ribbon Mics & Preamps, All Rights Reserved. With a thick low-end and hefty midrange, the dual-toned and near-field R92 ribbon mic is an exceptional tool when building a classic sound. But, IMHO, I think it is a brite sounding ribbon. The rear-side of the R92 is its ‘dark side’, where high-frequencies are mechanically rolled off, delivering accentuated mid-range and balanced low end. Similar in sound to the AEA R84, but with a more pronounced midrange and minimized proximity effect, the R92 performs brilliantly when up close to brass, guitar amps, kick drum, and percussion. The R92 is ideally equipped to capture the detail and tonality in any range of vocals. It’s the same requirement with all passive ribbon mics. The R92 naturally reduces proximity effect while also avoiding the room tone that can cause problems in smaller spaces or iso booths. The two sides of the R92 produce tonalities distinct from one another and provide your project with various tonal options; a bright front-side for high-end detail and a darker rear-side that rolls off high frequencies. The R92’s U-shaped yoke acts as a shock mount and also enables the user to position the mic at various angles even with a straight stand. ”, “It rounds off transients in true ribbon fashion, adding a naturally compressed sound that flatters even the most strident source. The brighter front-side of the R92 is perfect for achieving detail in high-frequencies with hulking mid-range response in a close-range recording setting. 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